I love me a good puzzles in a game, especially in an adventure game, but it’s entirely possible to just… stumble through most of these. Minit strives to solve this – and it does so admirably.
Something as quick-hitting and disconnected as sketch comedy is in a perfect position to come across as impenetrable from the outside. Yet Nichijou’s glowing acclaim proves that a firm enough grasp on the fundamentals of comedy can surmount any of these barriers.
I don’t believe that the recent God of War would be anywhere near as well-regarded nor widely-recognized if it wasn’t prepared to disassemble its own foundations and leave reams of material on the floor in favor of what makes it really work.
I openly adore Pokémon. The series has maintained an overwhelmingly positive image for over twenty years running, and for the occasional flack that it gets for its parallels to cockfighting, the series has always been every bit as much about the childlike wonder of exploration, discovery, and collection. The franchise behaves the same across other media, too – including its annual movie releases.
One of the very quickest ways to kill my interest in a game is to railroad me into a tutorial. Conversely, the fastest way to get me on board is to display trust in the audience. But Pan-Pan just takes it to the next level on top of that.
One of the things I’ve loved about anime for such a long time now is its broad reach and willingness to focus on just about any subject. The Great Passage is an eleven-episode television series entirely about the process of editing a dictionary - and it’s absolutely among the most fascinating show that premiered in its debut season.
A lot of what makes Key Visual Arts special specifically comes out of Jun Maeda. So when I heard that he had collaborated on a concept album with Nagi Yanagi, I was absolutely all-in on that peanut-butter-and-chocolate pairing. To little surprise, the end result is something truly special.